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His hand, eye, and voice were everywhere.
Mr. Scofield's looks and voice were distinctive.
The relentless beat combined with the urgent voice were intoxicating.
Mr. Dylan wasn't there, but echoes of his voice were.
In Mr. Pavarotti's artistry, language and voice were one.
Repeated phone calls to The Village Voice were not returned.
(Was that rancor in his voice? Were we a goner?) And going to Comic-Con?
The interludes with my sped up voice were added later to help the story along.
He added that he recognized that the changes at The Voice were part of business.
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The radical weekly, The East Village Other, and less-but-still radical Village Voice were calling for boycotts, etc.
I went to New York University in the early 1990s and stacks of the Village Voice were everywhere.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com