Allan Clayton's sweet tenor voice serves Castor's music well, and Roderick Williams is an articulate Pollux.
Even during his well-documented years of excess, the saccharine sweetness of James Taylor's voice served him well.
Tomasz Konieczny's warm baritone made Stolzius especially sympathetic, and the tenor Daniel Brenna's bright, penetrating voice served to characterize Desportes.
Philippe Jaroussky's bright voice serves handsomely for the music of Artaserse, a son of Serse and the king's ultimate successor.
The cool authority of Ms. Pagels's voice serves her almost too well in her new volume, "Revelations: Visions, Prophecy, and Politics in the Book of Revelation".
For a time, a woman known as La Voz (the Voice) served as his gatekeeper, sending and receiving messages on his behalf.
As a devoted member of DOROT's Honorary Board, Dr. Steinberg's compassionate voice served to champion the agency's mission to assist homebound and homeless Jewish elderly.
The singing could be better, especially in the crucial roles of Brünnhilde and Hagen, but Susan Bullock, an experienced stylist, has some strong moments, while Gregory Frank ensures that his lightish bass voice serves the archvillain better than you might think.
Carlo Allemano's sizable, darkish tenor voice served for Orismondo's many moments of anguish, while Adrian Strooper's brighter, more focused tenor supplied a handsome contrast in Armidoro's music.
That noble face always made an impact, and he found roles in which the fragility of his decaying voice served dramatic ends, like the seedy Schigolch in Berg's "Lulu" and, in the end, the Speaker in Schoenberg's "Gurrelieder," a part he called "the Wotan of my old age".
