Sentence examples for voice observations from inspiring English sources
"voice observations" is a correct and usable phrase in written English
It can be used to describe a statement or reflection made about someone's tone or style of speaking. Example: During the presentation, the speaker's voice observations highlighted his passion and knowledge on the topic.
Characters from Eliot novels intermittently appear throughout the play in brief vignettes or to voice observations that are intended to underscore emotional moments in her life and the social prejudices of her times.
Even though most singers and other professional voice users are encouraged to relax to optimize the quality and performance of the voice, observations of acclaimed singers, actors, and public speakers would suggest otherwise.
On both records, a woman's voice and observations are central.
Although various definitions exist for what a finding is in qualitative research, in meta-aggregation, findings are defined as a verbatim extract of the author's analytic interpretation accompanied by a participant voice, fieldwork observations or other data.
Lesbians found some of the opinions flying around the "50 Faggots" Q&A to be misogynistic, and gay men literally cheered us on as we voiced these observations.
As most of the respondents felt uncomfortable with recording, the interviewer noted their comments verbatim and also noted their body language and voice tone (observation).
"As more niche stuff becomes available, this becomes more important, Gill said, voicing an observation that surely applies to the entire media landscape.
Adiga's message isn't subtle or novel, but Balram's appealingly sardonic voice and acute observations of the social order are both winning and unsettling.
Bill Callahan, "Woke on a Whaleheart" (Drag City) — Under the band name Smog, Bill Callahan has been making brilliantly downbeat folk pop for nearly twenty years, fitting his low voice and keen observations to bewitchingly languid arrangements.
Just walk the corridors of City Hall between the weekday hours of 10 a.m. and 2 p.m. From small radios almost hidden among the municipal paper clutter there emanates that unmistakable voice, mixing acid observations with smirking half-truths, all but filibustering a city from calling in and asking him: Exactly whose buddy are you?
This would have been a perfectly interesting book written by someone else; Stewart Lee Allen's engaging voice and deadpan observations make it a truly enjoyable one as well.
