Sentence examples for voice interpreter from inspiring English sources

With the addition of director Frank Tashlin, musical director Carl W. Stalling, and voice interpreter Mel Blanc, the team was in place to create a new kind of cartoon character: cynical, wisecracking, and often violent, who, refined through a series of cartoons, finally emerged as Bugs Bunny in Tex Avery's A Wild Hare (1940).

It should be noted that the high-stakes, ethics-based orientation of the Adjudicator Voice does not imply that it is more privileged or esteemed among members of the history profession than the somewhat less axiologically charged Interpreter Voice.

While Interpreter voice is characterized by a "median probability of inscribed social esteem", Adjudicator is marked by the "free occurrence of un-attributed social sanction and social esteem" (Coffin (2000, 394).

But according to Coffin (2000, 394), the resources of Judgment are a distinguishing features of the Appraiser voices (Interpreter and Adjudicator).

The underlying epistemological orientation in this phase is reflected in the value positioning taken up in the Appraiser voices: Interpreter and Adjudicator.

In contrast with the Recorder Voice, the Appraiser Voices (Interpreter and Adjudicator) employ language that is more explicitly evaluative, thus bringing the subjective views of the authorial voice to the surface of the text (Coffin 2006, 152).

In Coffin's Voices of History framework, a high probability of Social Valuation is one of the features that distinguishes the Appraiser voices (Interpreter and Adjudicator) from the Emoter and Recorder voices which both have a low probability of Social Valuation.

However, despite this extensive use of Appraisal resources, Surveyor Voice is considerably more restrained and conservative than the Appraiser voices (Interpreter, Adjudicator) because the authorial voice itself does not intrude in the text to offer positive/negative evaluations of the discourse under construction.

Check out the SIGNtific events (deaf-led family events with voice-over interpreters) and the ultra-slick wheelchairs on loan at the Science Museum.

The significant differences in their work come down to their choices of texts and the degrees to which their vocal lines showcase the specific voices of intended interpreters.

The Interpreters (Part 4).