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Using subjective measures, this study investigated singers' and listeners' perceptions of changes in voice condition after vocal cool-down exercises.
Blue bars stand for the "stranger's voice" condition (67% stranger's voice and 100% stranger's voice), and red barsstand for the listener's own voice condition (67% own voice and 100% own voice).
Blue shows the proportion of visual fixation on areas with the correct first item under the "dissimilar stranger's voice" condition.
Black shows the proportion of visual fixation on areas with the correct first item under the "similar stranger's voice" condition.
The lower red lineshows the proportion of visual fixation on areas of incorrect first items under the "own voice" condition.
The lower black lineshows the proportion of visual fixation on incorrect areas under the "stranger's voice" condition.
Similar(41)
Fig. 7 Histogram of response times under different voice conditions.
But little difference was observed between the 100% own voice and 67% own voice conditions, or between the 33% own voice and 0% own voice conditions.
Figure 7, shows a histogram of normalized response times for the "own voice" and "stranger's voice" conditions using the combination of morphing data percentages described above.
Limit cycle calculations using experimental data of Berry et al. [High-speed digital imaging of the medial surface of the vocal folds, Journal of the Acoustical Society of America110 (2001) 2539 2547] obtained using an excised canine hemilarynx indicate that the mechanism is robust enough to sustain oscillations over a wide range of voicing conditions.
More crucially, these segments provided resting time for her voice, whose condition must be measured, and amended, with each tour.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com