"vocal practice" is a correct and usable phrase in written English.
You can use it when referring to the practice of speaking or singing aloud in order to improve your vocal abilities. For example, "Julia does an hour of vocal practice every day to work on her singing voice."
Muldoon's text – utilizing both English and Irish – is sung in the unique and highly ornamental vocal practice known as Sean Nós by Ó Lionáird.
(Petrusich) ★ NGQOKO (Friday) This South African ensemble, making its New York debut, performs split-tone singing, an ancient and challenging vocal practice in which singers manipulate their mouths, larynxes and pharynxes to produce multiple pitches at once.
In their singing of the piece, the members of Yo La Tengo gave what sounded like an approximation of Ashley's gently radical vocal practice, while the instrumental parts gradually unveiled more consonant melodic relationships.
By addressing this historical moment as an 'era of the voice,' then, my dissertation project explores how these discursive and technological currents manifested in embodied vocal practice, and how an attunement to these sounds might help to rethink the culture and politics of interwar Japan.
Guitar, bass, and drum practice modes allow players to slow the tempos of songs; vocal practice mode helps to emphasize the selected harmony portion of the vocals by adding a generated waveform sound to the selected harmony line in tune with the lyrics.
At 75d, songs were more variable following the condition of vocal practice than following non-singing.
The main difference between these vocal practices, of course, is obvious: amplification.
Instrumental polyphony in folk music, sometimes closely parallel to vocal practices and sometimes totally independent, is geographically more widespread than its vocal counterpart.
Musical scenes of the auditions and of dance and vocal practices become sharply edited mini-music videos; another producer is MTV.
Mr. Smith's approach to "Cosi" participates in the general growth of historically informed musical performance (authentic Classical instruments will be used, and certain vocal practices of Mozart's time will be observed), but within the context of the 20th-century ideal of a polished and unified ensemble performance.
This essay reads Beyoncé's vocal practices, visual productions, and comments on her own music to theorize her changing conceptions of artistic labor in relation to neoliberal theories of work.
