Sentence examples for vocal mode from inspiring English sources

Exact(1)

"Praise," written by Keith Hampton only 15 years ago, comes out of the African-American tradition, and will require the singers to switch into a drastically different vocal mode.

Similar(59)

Hook and Twang is not the name of a law firm in an S. J. Perelman story or a Mel Brooks movie; they are two of several vocal modes actors use to enrich and preserve their voices.

Audiences everywhere recognize her assuredness and mastery over a wide range of musical styles, vocal modes and dramatic challenges.

On Choirgirl, Amos catapulted herself out of the piano-and-vocal mode that had formed the majority of her work to date.

Guitar, bass, and drum practice modes allow players to slow the tempos of songs; vocal practice mode helps to emphasize the selected harmony portion of the vocals by adding a generated waveform sound to the selected harmony line in tune with the lyrics.

Chris Carney, lead designer for the multiplayer mode, recalled vocal dissatisfaction with the pistol early in the beta; by the end of the beta, the weapon was responsible for most of the kills coming from newly included weapons in the game.

Sumner: I think I wrote it, then immediately after thought, "Iggy would be good for this," because I wrote the poem down, and I had the track in mind for to work against, so I wrote it, and I think that night or the next night I put the guide vocal down in the mode of Iggy Pop.

Relative to healthy individuals, bvFTD was associated with bidirectional activity shifts and separable regional functional signatures of emotion modality (music versus nonverbal vocal) and processing level (musical mode versus dissonance) within a common distributed frontotemporosubcortical network.

In songs by Tim Buckley and Bukka White, and in the 1960's standard "Morning Dew," he pulled together old blues, Middle Eastern modes, Indian vocal turns, Celtic fingerpicking and psychedelic drones, seeking ecstasy in the face of mortality.

"Fly" blends itchy funk with multi-tracked vocals in wailing gospel mode, and the rolling momentum of "Go with the Wind" is rudely slashed by a burst of serrated guitar.

The music remains unmistakably West African in its minor modes, its vocal lines, its rhythms (often three against two) and the breakneck lines and fluttering trills of traditional accompaniments.

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