Sentence examples for vivid contribution from inspiring English sources

Feet make a vivid contribution: they are flourished expressively in the air; pointwork is deployed both powerfully and lusciously; and unpointed, near-flexed feet also make memorable appearances.

And a programme on the Northern Ireland hunger strikes that had a rather vivid contribution from Ian Paisley was mangled for fear of it projecting a nasty image of Britain.

It's an exceptionally vivid contribution to documentary theater, a series of blackout scenes taking, for their dialogue, the transcripts of actual black box recordings from threatened and doomed aircraft.

The central charm of "Canvas" was the exciting new freedom that the City Ballet dancers Tiler Peck and Robert Fairchild brought to their duets; Lauren Lovette and Daniel Ulbricht (both also from City Ballet) and the seven resident Keigwin dancers were more peripheral, though each made a vivid contribution.

Before she entered government, let us not forget, her most vivid contribution to Conservative politics was her observation in 2002 that plenty of people still saw the Tories as "the nasty party" – a savvy acknowledgement of how far the party had to go to avenge its eclipse by New Labour (and arguably still does).

The Venice Baroque Orchestra performed it at Zankel Hall on Monday evening, with vivid contributions from Luca Mares, the first violinist, and Daniele Bovo, a cellist.

Sinclair's theme of disappearance has inspired vivid contributions from a broad school of authors, notably Anthony Rudolf, Sarah Wise, Alan Wall, Marina Warner and Will Self.

All four musicians made vivid contributions, particularly Coba, who teased out melodies on his accordion with soulful élan, and Mr. Yahiro, whose virtuosic drumming enlivened excerpts like the vibrant take on "The Face of Another".

The program opened with a straightforward reading of the Concerto No. 1 in F, followed by the Concerto No. 2 in F, enhanced by vivid contributions from the flutist Sooyun Kim.

Mr. Masur managed its transitions deftly and drew a performance of sharply focused intensity from the Philharmonic's strings and woodwinds, with vivid contributions from its brasses in the more extroverted sections.

Mr. Spano and his players, with vivid contributions from the hefty chorus and the soloists (Christine Brewer, soprano, and Brett Polegato, baritone), gave the composer's ecstatic evocations of waves and gusts a real physical presence and argued persuasively that it should be a repertory staple.