Sentence examples for vital writing from inspiring English sources

Ms. Clearfield's consonant and melodic style, and the ease with which she moves between graceful tracery and lively, rhythmically vital writing, suits these instruments and players perfectly, and the trio gave the work the quicksilver performance it demanded.

And the concert ended with Mr. Mustonen's imaginative Nonet No. 2 (2000), for strings, a burst of melodically rich, rhythmically vital writing that left the impression that Mr. Mustonen, though always an interestingly quirky pianist, may be at his best as a composer.

His vital writing sometimes illustrates Mr. Allen's narrative and sometimes merely provides atmosphere, and where most narrated works inevitably lose their audiences to the text, this one is paced in a way that keeps the music paramount, amusing as Mr. Allen's stories are.

Since the late 1990s, when he published "American Pastoral," Roth's most vital writing has often been devoted not to the heroes of his novels but to their fathers, the tradesmen and petit bourgeois of Newark.

So Not Vital wrote a letter to Gore Vidal, suggesting that they might be related.

The rules require that providers offer interpretation services during direct encounters and translations of vital written communications, including discharge and medication instructions, explanations of benefits and appeal notices.

Isaac Luria's greatest student, Hayyim Vital, writes in his Etz Hayyim, When it arose in the singular will of G d to create the cosmos... then, G d negated G d's infinite self in the central point within, in the focus of the holy light, contracting this light, which receded to the sides surrounding the central point.

"Afghanistan itself is no longer a vital interest of the United States, but continuing the war there tears at our own nation's very vitals," wrote Leslie Gelb, president emeritus of the Council on Foreign Relations, in a piece for The Daily Beast on Tuesday.

What makes you you will be vital when writing your reviews and getting a following.

Rufus Müller, the tenor, projected it with clarity, spirit and a warm, enveloping tone, and Jenny Lin gave a graceful account of the vital piano writing.

Mr. Carter was nearly 90 when he wrote "What Next?," but like many of his recent scores (he is 97), it bristles with energy and the kind of restless variety that finds an outlet in bursts of quickly changing timbres and in the vital percussion writing that opens and closes the opera.