Sentence examples for vital reminders from inspiring English sources

We need these vital reminders that however sophisticated and in control we might feel, we are ultimately just part of a wider picture, nature.

China is making progress on using the courts to protect individuals and their rights, but cases like this are vital reminders of how far it still has to go.

I might also mention Cate Blanchett reinventing the single word "eureka" as Blanche in "A Streetcar Named Desire" or Kathleen Turner pronouncing "abandoned" as Martha in "Who's Afraid of Virginia Woolf?" Such moments offer vital reminders that, in the theater, words in a script are hardly carved in stone; they are mutable, receptive creatures, always waiting to be reinvented.

Regardless of whether God's people were in temporary dwellings or a temple made of stone, these sacred spaces were vital reminders that God was with them.

Most usefully, it is a vital reminder of the key element of conservation, so often neglected: You cannot save what you do not love.

This week, we get a brief but vital reminder of Burstyn's underused screen skills in Todd Solondz's ensemble comedy Wiener-Dog.

There are some heavyweight omissions - new school grime MCs such as Skepta, JME or Flowdan would have been good - but An England Story is a vital reminder of the power of the voice.

"United 93" is not too soon but perfectly timed a striking contribution to a debate that is in danger of becoming stale, and a vital reminder of what the fight is about.A world out of controlMr Greengrass presents the four hijackers not as monsters that would have been easy but as ordinary people driven to do monstrous things.

Movies like Attack the Block, although some will see them as reinforcing stereotypes about crime from young black men in council housing, is a vital reminder that stereotype or not we need to confront the monster image that hangs over urban crime.

Such films provide a vital reminder of what's at stake in the issue of availability and in the underlying question posed by Seitz and Ehrlich regarding the recognition of classics: classics are movies that expand the possibilities of the art, that offer templates not of imitation but of inspiration, that liberate other filmmakers and potential filmmakers.

While Get Out will act as entertainment predominantly (it's from Blumhouse, the production company behind Insidious and The Purge), with daily reports of black men killed for the color of their skin, it's also a vital reminder that racism remains a more terrifying force than any supernatural boogeyman.