Sentence examples for visual trademarks from inspiring English sources

Visual trademarks—a tangle of dreadlocks angled just so, or, say, one bedazzled glove entrance as effectively, and vitally, as any notes escaping speakers.

Visual trademarks — a tangle of dreadlocks angled just so, or, say, one bedazzled glove — entrance as effectively, and vitally, as any notes escaping speakers.

In the quartet's early years -- it came together in Toronto in 1989 -- one of its visual trademarks was Geoff Nuttall, the first violinist, wriggling out of his seat in moments of particular intensity.

Groucho was the master of wit and verbal timing, and he delivered wisecracks and non sequiturs at a dizzying, relentless pace; his visual trademarks included greasepainted eyebrows and mustache, glasses, tailcoat, and ever-present cigar.

Tyler's series of models falling from the sky came several years after Ryan McGinley made this one of his visual trademarks; his series of retro Americana shot against bright blue skies came at least five years after that became the signature style of Alex Prager; his photos of lips are incredibly similar to shots by Rankin and Marilyn Minter.

It's a visual trademark that has waxed and waned.

The birch oil gives these hides -- even today -- a characteristic aroma, while the cross-hatching is the accepted visual trademark of Russia leather.

David Levine, whose macro-headed, somberly expressive, astringently probing and hardly ever flattering caricatures of intellectuals and athletes, politicians and potentates were the visual trademark of The New York Review of Books for nearly half a century, died Tuesday in Manhattan.

Immortalised in reeds player Eric Dolphy's 1964 masterpiece Hat and Beard, the goatee'd Monk's headgear became his visual trademark, an early exercise in beatnik branding, and with the strength of his compositional genius, he won a cult reputation that blossomed into minor commercial success with Riverside and international stardom with CBS.

A visual Curtis trademark is the quick, ironic juxtaposition, where a passage about the rise of neo-conservatism in 1970s America, say, is illustrated by clips from Perry Mason and footage of an expensive helicopter falling into the sea.

Those films had plenty of Gilliam's trademark visual invention; what they absolutely lacked was the smallest notion of how to tell a story.