Sentence examples for visual strategies from inspiring English sources
This information can be incorporated into predator-prey interaction models [31] to better establish the probabilities with which predatory species with different visual strategies would detect and visually track prey and to study the evolution of some anti-predator strategies.
Repeatedly generic visual strategies are used to convey less familiar subject matter -- that is, the words change, but the tunes don't.
The visual strategies he brings to bear are matched by his staging of the actors; the soliloquies of Hamlet (Ethan Hawke) are now interior monologues, and characters keep tabs on the world and their feelings through video monitoring.
While the Pictures Generation — a group of American artists, including Prince, who shrewdly swiped visual strategies from the movies and Madison Avenue — has been an obvious influence on Ethridge's work, don't dismiss thoughts of Stieglitz.
They bill their new book, "Visual Strategies," as a guide to graphics for scientists and engineers, but it will be useful for anyone who wants to make clear presentations of data of any kind.
But it also makes use of more subtly expressive visual strategies, like the wisps of fog that drift through the empty streets of the film's 19th-century New York, a touch that seems to make depth itself a palpable element (just as James Cameron would use sprites and floating particles to animate the empty spaces of "Avatar").
Mr. Schroeder, meanwhile, had a visual strategy for the killings -- some executed in self-defense, some out of mere pique.
One of my purposes, then, will be to discuss some of the technical truths, theories, and hunches that go into a director's visual strategy.
This sort of metaphysical instinct, physically achieved, is a defining trait of the art of the director, and it can't be willed into being by way of script construction or visual strategy.
His films "Silence and Cry" and "The Red and the White," both from 1967, follow a similar visual strategy, with the meticulously practical, concrete, ambiguous reconstruction of historical events.
It rarely occurred to us to discuss a specific shot or camera movement, and never to discuss a film's overall visual strategy, Movie criticism often fell (and still falls) under the same limitation.
