The phrase "visual resemblance" is grammatically correct and can be used in written English.
It refers to the physical likeness or similarity between two objects or individuals. Example: The two paintings bore a striking visual resemblance, with their vibrant colors and bold brushstrokes.
In terms of visual resemblance, we found that, regardless of the visual system, P. straeleni closely resembled N. sexfasciatus, with Δ S values being either below or just around the discrimination threshold for all body regions (Δ S, 0.3 1.7, mean ± s.e. = 1.0 ± 0.2).
The visual resemblance between their pictures is uncanny.
Research on graphic symbol learning suggests that symbols with a greater visual resemblance to their referents (greater iconicity) are more easily learned.
In this instance the orchid flower also bears some visual resemblance to the female, giving rise to some of the common orchid names—for example, bee orchids.
Not because he was a foodie (no one was in 1986) but simply because he could remember a time when food did not come pre-packed, frozen and reshaped so that it bore no visual resemblance to its animal origin.
To form the signature Birkenstock foot bed, the latex and the cork are blended in a proprietary formula, creating a brownish granulated paste that, in its prebaked state, bears an unfortunate visual resemblance to cat vomit.
Red bands highlight periods of high PDO In order to obtain a unique marker of PDO and ENSO in SBB, we propose to combine %GEO and CM because of their visual resemblances.
Some of these are visual, like Sykes's resemblance to the auteur reading his lines, while others pop up on the soundtrack, which quotes the scores from "The Godfather," "Car Wash" and, of course, "Jaws".
Some of these are visual, like Sykes's resemblance to the auteur reading his lines, while others pop up on the soundtrack, which quotes the scores from "The Godfather," "Car Wash" and, of course, "Jaws". For the finale, fishy likenesses of Christina Aguilera and Missy Elliott strut and prance while the real-life divas sing us through the closing credits.
Rocks as organic forms, bodies as rocks: Weston's work seems to express a semireligious sense, possibly unarticulated but running through modernism, that the created world, both organic and inorganic, is one, and that formal resemblances are a visual and metaphoric way of affirming this.
Like a visual game of Telephone our resemblances are generational smoothies ― Lucy's curly long hair is a living echo of Mom's thick, waist length mane of dark honey curls.
