Sentence examples for visual quirks from inspiring English sources

Exact(6)

That's the other big benefit of Office on iPad for most users: all documents display as they were meant to, rather than with visual quirks, font substitutions or other imperfect formatting concessions.

People will adjust to visual quirks after a few minutes, but if they can't hear or understand what characters are saying, there'll be some angry demands for refunds.

Hanley also commented on the visual appeal which made the less than spectacular battles "feel satisfying and fit in with the broad aesthetic of the show, which looks and sounds good for all its visual quirks".

Along with the excessive use of traditional rhetorical devices such as metaphor and simile, the most banal mainstream poetry also suffers from certain visual quirks, such as a penchant for italicizing words and phrases to emphasize for readers how particularly precious, portentous, and poetic they are--as though the fact that they appear in a poem is insufficient to make the point.

I know that there's something briefly appealing about a massive-money video game having the same amusing visual quirks you find in productions running on an eighth of such a budget, and less, but after a while this shit becomes tiresome.

I know that there's something briefly appealing about a massive-money video game having the same amusing visual quirks you find in productions running on an eighth of such a budget, and less, but after a while, this shit becomes tiresome.

Similar(54)

Scientists say that many of these accidents are caused by deadly misperceptions, the visual and behavioral quirks known to science but not to ordinary drivers.

The luscious visual imagery and emotional quirks were interchangeable, however, working almost as well for the actual opener, Alison Chase's new "Star-Cross'd," as the previously scheduled "Brass Ring," a suite of acrobatic and slyly funny tableaux created by Michael Tracy last year for the Cultural Olympiad.

As the walls tilt and bend, the body responds by leaning to one side or the other, sometimes pulled forward by a kind of inertia or slowed by some quirk of visual terrain that throws the visitor off balance.

The quirks and the clicks ("audio and visual feedback", he calls them), might attract novices like me, but Dijkstra-Hellinga says that the design is about much more than gadgets.

"Inception" is nominally humanist in its sentiments, but you can't help feeling that, for Nolan, character quirks are just fungible elements in a comprehensive visual scheme.

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