Sentence examples for visual materials for from inspiring English sources

Burton has contributed visual materials for the event, while Elfman, who has marshalled each score into its own suite, will play on stage.

Ary (2014) characterizes content analysis as "a research method applied to written or visual materials for the purpose of identifying specified characteristics of the material [which] can be textbooks, newspapers, web pages, speeches, television programs, advertisements, musical compositions," (488).

It provides textual and visual materials for teachers and students to explore concepts of evolution from the beginnings of the universe to the development of modern technology through six modules: Cosmic Evolution, Planetary Evolution, Origin of Life, Evolution of Life, Hominid Evolution, and Evolution of Technology.

Well before the beginning of the academic year students were congregating around the new school, trying to help the builders with their final touches and assist teachers who were decorating walls and preparing visual materials for their new classes.

It would be preferable for any future research project to utilize a local artist to provide culturally relevant visual materials for individuals requiring graphic symbols as part of their communication intervention.

The Renaissance art that he was exposed to while living there became a major source of visual material for some of his later video productions.

After taking part with Loewy and Teague in planning sessions for a proposed war room under the White House, Mr. McLaughlin went to Washington to help the O.S.S. develop visual material for the military.

We report a study which aimed to provide further development and refinement of a set of guidelines (Waterson et al., 2012) for the design and evaluation of warning signs and other visual material for young children (i.e., aged 5 11 years).

So, when Dr. Martens uses the Garden's three panels as visual material for some boots and satchels, it strips Bosch of all his power.

Behavioral methods reveal that each of these subsystems is controlled by the central executive, an attentionally limited gatekeeper that selects auditory and visual material for maintenance and manipulation [ 24].

Organized by José Roca, an independent curator, the exhibition looks as if an exceptionally creative sociology professor had displayed audio-visual materials for an introductory college course on the systems and semiotics of social control.