Sentence examples for visual mannerisms from inspiring English sources

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It seems, to me, impossible to ignore visual mannerisms if writing a sketch about it.

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Verbinski borrows the ethos of such playfully lugubrious horror classics as "The Curse of Frankenstein" and "Dracula" and grafts onto them a visual mannerism distantly distilled from Orson Welles and a sense of design proximately and conspicuously cribbed from Wes Anderson.

As an artist, Hirschfeld, who died at 99 on Monday, cared about visual cues: gestures, mannerisms, the way an actress dashed across the stage or cocked her head while he sat in the dark of the theater jotting shorthand impressions to take home and translate into drawings.

This also explains why a number of later Netherlandish artists became associated with, in the words of art historian Rolf Toman, "picturesque gables, bloated, barrel-shaped columns, droll cartouches, 'twisted' figures, and stunningly unrealistic colours – actually employ[ing] the visual language of Mannerism".

The animators would often observe and document the voice actors while they recorded their dialogue, using their movements and mannerisms as a visual aid.

But all the same, this can be entertaining in itself and can help you understand how and where other Visual Kei fans pick up some mannerisms that may seem a bit odd to outsiders.

She marries a haute-naif aesthetic of thick lines, blocky color, proto-Cubist mannerism, and collapsed perspective with a visual lexicon of knights errants and dogged explorers, sea monsters and tall ships, architectural ruins and sketchy outlines of uncharted territories.

His style of comedy on stage and in motion pictures, however, was highly visual, often involving the use of bizarre costumes and exaggerated, madcap mannerisms and sight gags.

Gradually he abandoned Romantic mannerisms in his work and began to focus increasingly on calm visual narrative and the illustration of commonplace realistic landscapes typical of central Russia and his beloved Moscow (Losiny Island in Sokolniki, 1869; Volga Vista Below Yuryevets, 1871).

His visual language is always distinctive and even arresting in its vehemence, but is now stagnating into mannerism and self-parody.

Mannerisms gleamed.

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