Sentence examples for visual footage from inspiring English sources

It was "strikingly obvious" who the attackers were, given the visual footage, he said.

For the avoidance of doubt individual still images must be sourced from photographs and cannot be sourced from audio visual footage of any match forming part of the Football Services.

The most striking thing in the visual footage is Brian Jones' eyes rolling around, but on the record you can really hear that the crowd are absolutely high as a kite too.

In addition, students should comment in their notes on the style and form of the presentation, the delivery of the speakers, the format of the program and effectiveness of the people reporting and commenting in the program, and the visual footage or graphics used to enhance the story or provide information about the subject.

Another is not to show the performers at all, but to juxtapose the music with complementary visual footage, be it of pretty European lakes in the mist (in Naxos' Musical Journey series) or of the lights of a past Times Square (as an accompaniment to Paul Bowles's "Music for a Force" in the imminent Zeitgeist DVD "Night Music," devoted to works by Bowles).

Words can't describe the frightening experience this video captures, made all the more horrifying by a lack of clear visual footage.

Given they had audio-visual footage incorporated into their presentation, it suggests the organisers not only knew of their project, they also allowed them to present.

Remaining visual effects footage took place at ILM's headquarters in San Rafael and Hamilton Air Force Base.

During the filming of Jackson's 1996 film The Frighteners, Universal Pictures was impressed with Jackson's dailies and early visual effects footage.

Fast and Furious 7, which is due out this year, has used a combination of cutting-edge visual effects, archive footage and body-double work to digitally recreate lead actor Paul Walker, who died in a car crash in November 2013 when he was only halfway through filming.

The result is this beautiful, poetic (if pretentious) 1989 portrait of Japanese designer Yohji Yamamoto as he prepares for the Paris spring shows in his Tokyo studio, packed with backstage footage, visual experimentation and thoughtful, free-flowing discussions of creativity, identity and east versus west.