"visual fanfare" is correct and usable in written English.
It is used to describe a dramatic display or performance that is visually striking or impressive. Example: The opening ceremony of the Olympics was a stunning display of visual fanfare, with colorful lights, elaborate costumes, and synchronized performances that left the audience in awe.
Many of these were even displayed on the stations, and on an immense sign at Longsight locomotive depot in Manchester, where the Eurostar trains were going to be based, bearing the caption, in a great visual fanfare, "Eurostar est ici…" Sadly, the art, the sign, and the promise gradually began to fade, peel and fall off.
What is of redeeming fascination here is that the entire visual fanfare of this artwork – when you come upon it in the Uffizi Gallery in Florence, it almost causes you to step back in wonder at its opulence – seems to conceal a story behind the well-known story of its subject matter.
Each will present repertory — and Ms. Melnick's gorgeously textured "Fanfare" features visual design by the artist Burt Barr, who happens to be Ms. Brown's husband — but the highlight of the program might just prove to be "July," a new duet commissioned by the Pillow and created by Ms. Melnick and Mr. Neumann.
The former built on the undercover visual approach from Zoo, while Fanfare is still the Netherlands' second most popular film after Paul Verhoeven's Turkish Delight.
Whatever she gleans out of the $15.99 downloads of "Beyonce," the new "visual album" that posted with zero fanfare early Friday on iTunes, will add to revenue from her "Mrs. Carter" world tour and her endorsement deals with Pepsi and H&M.
David Hubel and Torsten Wiesel's (1962) electrophysiological demonstrations of the receptive field properties of visual neurons had been reported with great fanfare.
In December, Mrs. Carter surprised fans and the industry when she released her fifth, self-titled, visual album on iTunes with no notice or fanfare.
Ganged together, side by side in rows of display cases, they are the visual equivalent of a brass choir at full volume, a Corelli fanfare.
And there is a ton of incredibly talented animators and visual effects artists emerging all the time, creating amazing works with little fanfare.
Despite all of its often arbitrary-seeming conceptual fanfare, it feels patently conservative, flat, the opposite of what a book of such visual heft should actually be.
