Sentence examples for visual economy from inspiring English sources

'visual economy' is a correct and usable phrase in written English.
It is typically used to describe the use of visual elements that convey ideas or information economically and effectively. For example, an artist might use visual economy in their artwork to convey a message without a lot of extra visual noise.

Exact(6)

We were looking for something that had cleverness, visual economy and force".

After laying out the conceptual foundations of the book, Väliaho offers focused and detailed investigations of the current visual economy.

Her research focuses on the emergence of a visual economy organized around the production and circulation of cartographic images in the context of urban planning and ecological governance in India.

"The visual economy is leading to a new category of enterprise marketing – that is, visual marketing automation".

The most striking of these projects demonstrate that methods that belong to the realms of research, science, or law can present data with the visual economy and evocative narrative one would expect to encounter in the most moving and poignant works of art.

Hebron tells The Creators Project, "Immediate and amplified responses can help solidify that event in our memory". Many of these gestures, she explains, simply rely on "the visual economy of good graphic design," and an artist's ability to sum up "a devastating event in a single image, usually one that is small and square" is admirable.

Similar(54)

But what at first seems like a knack for visual economy just turns into a handicap, as Mr. Rauniyar lets his stories dribble into rote melodrama, not helped by improvised dialogue.

The murder of young Bambi's mother by hunters is not only a model of visual skill and economy (no humans are ever seen) but the cinematic childhood trauma by which all others are judged.

Writer-director Ayoade – the IT Crowd comic actor turned pop-video wiz – has a terrific sense of visual and narrative economy, and a way of getting actors to home in on the subtly excruciating touch.

Mr. Erwitt, now 82, delivers his visual gags with such economy and sweet-tempered lack of pretension that it is easy to overlook just how good he is at what he does.

The Henny Youngman of photographic one-liners, he delivers visual humor with such economy and grace that it is easy to overlook just how excellent an artist he is.

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