Sentence examples for visual detritus from inspiring English sources
It's possible to remove such visual detritus in postproduction, but this adds time and expense.
As an alternative to museums and other institutions that reinforce old hierarchies, Berger offered the pinboard hanging on the wall of an office or living room, where people stick images that appeal to them: paintings, postcards, newspaper clippings, and other visual detritus.
This week Readability, developed by the New York design and technology firm Arc90, took a big step forward in addressing the queasy little problem that underlies all three products: Some of that visual detritus is ads, and they pay the bills for the people who originate and host the content.
Perhaps this is an extended metaphor of the audio and visual detritus we consume without objection everyday, whether its your roommate's obnoxiously loud Netflix habits or the glimpses of a stranger's cellphone on your commute to work.
He uses line not so much to delineate shape but, according to art historian Anne Hollander, "to scratch forms into existence and then splinter them, as a squinting, half blind eye might apprehend them, to create the distorting visual detritus that shudders around the edge of things seen in agonized haste ..
In this piece, the tropes of visual culture are "sand boxed" using detritus culled from a small northern California beach.
Vicky Featherstone's production and Chloe Lamford's design, filled with the detritus of a disintegrating civilisation, also give visual expression to Harris's ideas.
There are visual idiosyncrasies everywhere, as if the film were constructed from the detritus of a thousand firebombed Salvos stores.
A more relaxed silhouette will work best with longer lengths, although be warned: while a floor skimmer will certainly create a dramatic visual effect, it may be tempered somewhat if you end up dragging the detritus of the dance floor around on your hem.
The passage is, in all kinds of ways, profoundly unsettling: the way it deploys scraps of visual imagery from the rest of the film is exactly like the way one sees detritus from one's waking life subtly and sometimes frighteningly distorted in dreams.
At first Mr. Morris — who became the play's co-director (with Marianne Elliott) — wanted to aim for a sort of visual, theatrical poetry by creating the puppets before the eyes of the audience, out of farmyard and war detritus.
