Sentence examples for visual backgrounds from inspiring English sources
The phrase "visual backgrounds" is correct and usable in written English.
It can be used when referring to the imagery or scenery that serves as a backdrop in various contexts, such as art, design, or presentations. Example: "The presentation was enhanced by the use of vibrant visual backgrounds that complemented the main content."
Dynamic visual backgrounds coupled with predator encounters from all possible directions make this habitat one of the most challenging for camouflage.
Therefore, to further characterize the inter-specific differences in scanning behavior with similar visual backgrounds, we recorded videos from individuals of the three species under captive conditions.
Visual backgrounds can be partially-polarised by scattering of natural light in the atmosphere or under water, or by reflection from natural surfaces such as the shiny cuticles of leaves or the air/water interface [4] [7].
Local adaptation in isopod pigmentation is likely a result of divergent selection pressures caused by the different visual backgrounds and predator faunas in the two habitats [18], [29], two factors which commonly drive the evolutionary dynamics of predator-prey communities in many aquatic habitats [30].
We photographed patches that represented three visual backgrounds and habitat types.
We found that the grey morph was detected at the highest rate against all three visual backgrounds.
The group was trying to establish a proper visual background for the film".
The two-color strands make a striking visual background for bright cherry tomatoes mingled with sea urchin and scented with basil.
Mr. Marclay, a visual artist and musician who has an installation made from LP covers in the Exit Art exhibition, put it this way: "What happened is that with records, the cover gave people a visual background for the music.
So images of Jesus, the Virgin, various saints and the occasional devil are shadowed by vague visual background clutter, like the collective unconscious seeping through more official story lines.
Authorial sleights of hand allowed by moving pictures – all that visual background to hide details in; the fleeting blink-and-miss-it nature of the medium itself – cannot be replicated in prose fiction, where there is no background beyond the flat surface of the words, and where those words stay frozen on their paper screen allowing for examination.
