Sentence examples for visual architecture from inspiring English sources

Jim Kelly became managing editor in January 2001 and has won praise for improving the magazine's visual architecture.

The recent movie to which it is most similar is Kenneth Lonergan's "Margaret"; like Lonergan, Hamaguchi is a genius of scene construction, turning the fierce poetry of painfully revealing and pugnaciously wounding dialogue into powerful drama that's sustained by a seemingly spontaneous yet analytically precise visual architecture.

Build a visual architecture that organizes the information by importance, that's easy to scan, and that anyone can understand.

This work also raises the interesting point that the visual architecture may develop in response to the statistics of the scenes being encountered, so that organisms in different environments have visual systems specially tuned to their needs.

We argue that these location pointers, the core operators of spatial attention, are linked to identity information and that such a link is necessary to establish a workable visual architecture and to explain frequently reported positive spatiotopic biases.

One of the most intriguing questions in vision research is how the neuronal circuitry processes the visual input from the photoreceptors, that is, the neuronal correlate of the eye and retina's visual architecture.

The university recently announced that it would be closing its centres in Whitechapel and Moorgate, where visual arts, architecture, business and law courses are taught.

A new home for film, music, visual arts, architecture and design, dance and digital projects will make its debut tomorrow with dedication ceremonies for the Austrian Cultural Forum.

In the last decade enrollment has reached more than 1,600, and programs have been added in industrial design, fashion design, writing and literature, visual studies, architecture, community arts and curatorial practice.

Mr. Hirschhorn's art has been seen in New York, too, most notably at the former Guggenheim SoHo in the 1998-99 exhibition "Premises: Invested Spaces in Visual Arts, Architecture and Design from France, 1958-1998".

With its signature zooms, satirical tableaux, and fiercely ordered visual palette (architecture is everything, from  the hairstyles to the shot compositions) this is Anderson-world writ large: a hermetically sealed environment in which reality is something you only read about in books, and the upheavals of the interwar years provide tonal rather than political background.