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Ms. Pitman spent seven years studying visitor responses to art during her tenure as deputy director, and then director, of the Dallas Museum of Art, and is considered a pre-eminent scholar on the subject.
Using a case study of transportation management options and visitor responses in Whistler, British Columbia, Canada, this paper examines visitor reactions to a range of transportation strategies designed to shift skiers from private to public modes of transport.
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Qualitative analysis revealed four levels of visitor response to the experience, implying a process involving what visitors actually saw and heard (sensory impressions), what they felt (emotional affinity), thought (reflective response), and finally what they did about it (behavioural response).
The visitor response to the show at BlainSouthern has been phenomenal: the boat-spaced arches of yarn are chockablock with visitors for the whole of Berlin Art Week (which coincided with its opening) and beyond.
Artist Rachel Gadsden will create live art based on gallery visitors' responses to the aroma.
This study explores museum questions and visitors responses in a large Jewish cultural/heritage museum in the Unites States.
The surveys were not designed with pre-REEP House visit testing of visitors in mind, providing no baseline from which to measure changes in the visitors' responses.
Visitors' responses to these three open-ended questions will be compared with the quantitative results and also used to examine developmental differences.
The study first looks at the museum apparatuses, through which discourse is publicly invited, produced and presented, to then study visitors' responses as moral discourse.
We used photo-elicitation studies and a controlled perennial meadow creation experiment at ten urban green-spaces in southern England (five experimental sites and five control sites) to assess green-space visitors' responses to urban meadows.
Visitors' responses to the open-ended questions were consistent with the pattern of closed-ended endorsements, demonstrating that a large proportion of all visitors continued to use intuitive explanations to explain evolutionary change, although this was particularly the case for the youngest visitors.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com