Sentence examples for vision of german from inspiring English sources

Otto Dix's self-portrait in wash and pencil drawn in 1922 says more about his harsh sardonic vision of German society than about his empathy with small children.

He cast repentant neo-Nazis in a Zurich production of "Hamlet" and managed to combine political fable and splatter film in "The German Chainsaw Massacre" (1990), a mad vision of German reunification.

The underlying purpose of the Heimatfilme was to sell Germany to postwar Germans, to create a seductive vision of German identity oblivious to the traumas of Second World War and the sins of the Holocaust.

Mr. Winks considers the inventor of the modern spy novel to be John Buchan, the author of "The Thirty-Nine Steps" (1915), a paranoid vision of German spies nestled in the English countryside.

In particular, after 1849, Wagner resented Meyerbeer's continuing success at a time when his own vision of German opera had little chance of prospering.

Far from unduly aestheticizing his vision of German-perpetrated horrors, Scorsese — in presenting them from the war veteran Daniels's own tangled and submerged perspective and blending the character's intimate drama with that of the world stage — neither sacralizes nor cheapens them.

Both inscriptions stem from the late 19th-century visions of German intellectuals and politicians of a unified, democratic Germany -- a vision modern Germany's leaders hope they will now realize in the united Germany that has made its capital at the heart of the new, unifying Europe, in Berlin.

"Crises are always moments of truth because they relentlessly expose both the strengths and weaknesses of all the players involved," said Mr. Fischer, criticizing in particular the narrow, national vision of the German government.

Thanks to the genius vision of the German ad firm Serviceplan and "Lego professional" Rene Hoffmeister, you can hear John Williams Star Warss theme song played by a hand-cranked organ made of Legos.

Adolf Hitler was an admirer of Wagner's music and saw in his operas an embodiment of his own vision of the German nation; in a 1922 speech he claimed that Wagner's works glorified "the heroic Teutonic nature ... Greatness lies in the heroic".

And: "Has the united Europe referred to in the German Constitution's preamble stopped being the lodestar of the Germans' vision of themselves and German politics?" Mr. Beck's own responses are far from reassuring.