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Now a virtual recording console, effects and instrumental sounds are all tucked into software like Pro Tools, the nearly ubiquitous program that was introduced by Digidesign in 1991.
The new highlights include Wonder of Music, a studio that promises to fulfill an aspiring MTV star's dream: to jam with a real (or in this case, virtual) recording artist.
He also is toying with software that sets up a virtual recording studio so that players around the globe -- perhaps a tabla player in India or a flamenco guitarist in Spain -- can submit their parts over the Internet.
Programs like Apple's GarageBand, a virtual recording studio that comes pre-loaded on every Macintosh, and Audacity, which anyone can download, offer free studio access to people who have never even picked up a guitar.
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Consider, for example, the phenomenon of the virtual record label.
We'd been looking for the broadband killer application, and Second Life is it.' Last month Regina Spektor's album was the first virtual record release by a major company.
This computer record creates what I call an "iPatient" — and this iPatient threatens to become the real focus of our attention, while the real patient in the bed often feels neglected, a mere placeholder for the virtual record.
News that Bruce Willis is reportedly considering legal action against Apple to make sure he can leave his virtual record collection to his daughters will have surprised anyone who thought their online possessions were theirs to dispose of as they choose.
During the national panic about drugs, mandatory sentencing laws were adopted by Congress in virtual record time, punishing crack offenses far more harshly than powder cocaine crimes, where users were much more likely to be white.
Thus far, the campaign has featured a game called "Be a Music Mogul" on MP3.com, in which players build and manage a virtual record label, and a writing contest plugged on the college cable network Burly Bear, awarding $10,000 and an internship at Viacom (owner of MTV), at a major technology company or at a public accounting firm.
Since then, the file-sharing site Napster came and went, the iPod introduced a generation to the joys of a virtual record collection compiled largely for free, and perhaps most terrifyingly the Sussex three-piece Keane have released a single on that tool of networking power-lunches everywhere, the memory stick.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com