Sentence examples for virtual echo from inspiring English sources

In a virtual echo of Mr. Bradley's question, the vice president recently told a gathering of newspaper editors: "How can we believe what he says he would do nationally when we see what he actually has done as governor?

Such cynicism, private and existing in isolated pockets in a previous era, now produces a virtual echo chamber of speculations and conspiracy theories: some plausible, others fanciful, all impossible to investigate from a computer screen.

There are still Republicans who are interested in good governance, but they're being dragged to the nether regions of nonsensical policy making by younger, more ideological members of Congress, many from safely gerrymandered districts that form virtual echo chambers of irrationality.

Not every four years but continuously; not with celebrity endorsements but on school boards and town councils; not by creating more virtual echo chambers but by learning again how to talk and listen to other Americans, especially those who elected Trump because they felt ignored and left behind.

Our results suggest that the presence of specific personality traits in individuals lead to their considerable involvement in supporting narratives inside virtual echo chambers.

Internal reflection within the laminate structure is enhanced by optimizing the impedance between the laminate layers creating a virtual echo chamber for the impact wave.

Punctuated by Donkey's frequent song contributions – The Carpenters, Lionel Richie, The Monkees – and the Pied Piper's mesmeric flute-playing (he dances them into submission) the movie becomes a virtual echo-chamber of myth and pop culture.

The advertisements are often virtual echoes of the commercials that the candidates run, but they avoid terms like "vote for" or "defeat".

Your angel makes sure that you're not stuck on repeating behavioral loops, filter bubbles or virtual echo-chambers.

Here two grids of busyness remain dominant: the nineteenth- and early-twentieth-century grid of bump and run, and the late-twentieth- and early-twenty-first-century postmodern grid of virtual call and echo.

For all the flamboyance of the actors' performances Tarantino likes the sound of his own voice above all, and the prolixity of the script resembles not the clatter of a typewriter with weighty keys or the scratch of a pen with its whiff of physical labor but the chatter of a computer keyboard where the virtual page can echo into infinity with Tarantino's grandiloquence.