Sentence examples for virtual cinematography from inspiring English sources
In manufacturing, the practice is called digital prototyping; in cinema, virtual cinematography.
Using Façade he led the creation of virtual cinematography of the Berkeley campus for his 1997 film The Campanile Movie whose techniques were used to create virtual backgrounds in The Matrix.
To make the movie, the brothers and their visual-effects team developed a number of new techniques, most famously "bullet time," which allowed them to create the effect of a bullet progressing through space in slow motion, by using virtual cinematography to manipulate a series of still shots taken along the bullet's trajectory.
Directed by Gore Verbinski and featuring the voice of Johnny Depp, "Rango" was honored for visual effects, animated character, created environment and virtual cinematography.
The film introduced Disney's new bidirectional reflectance distribution functions, with more realistic reflections on surfaces, and new virtual cinematography Camera Capture system, which makes it possible to go through scenes in real-time.
In a process of "virtual cinematography," James and Jonathan rephotographed Golan's 3D likeness selecting new angles, dollying, and zooming to compose new perspectives on the data as if playing a video game.
"The west has perfected making super-polished films, but that's not to say it can't be perfected elsewhere," says Gaeta. "There are super-bright people everywhere, right?" Technologically, Gaeta thinks we are five to 10 years from another quantum leap – hinted at in the virtual-cinematography techniques James Cameron used in Avatar.
Doing his own cinematography, Greene (at that time Burre's neighbor) becomes a virtual part of her household, and his camera becomes Burre's confidant, framing her in a confessional mood.
Sutton isn't on camera, and his voice is only rarely on the soundtrack, but the camera itself in the exquisitely lyrical cinematography of Hélène Louvart is an active mediator in the action, a virtual first-person narrator in musical images.
Sutton isn't on camera, and his voice is only rarely on the soundtrack, but the camera itself — in the exquisitely lyrical cinematography of Hélène Louvart — is an active mediator in the action, a virtual first-person narrator in musical images.
