Sentence examples for violent sequences from inspiring English sources

Filled with violent sequences, rapid-fire dialogue, and blaring rock music, the film was typical of his early work in its realistic detail and its naturalistic performances.

The most violent sequences in "Elephant" are also the most resolutely quiet: the result is all the more upsetting because we can't retreat into the familiarity of movie-style thrills and chills.

But the violent sequences also help us understand the story the couple has sold not just to the neighbors but to themselves: that they are simply more passionate than normal people.

The brisk eighty-three-minute running time boils the action down to some fairly flat sketch comedy and a very few (although effective) violent sequences in which absurdity and calamity unite to make grim situations seem funny.

Most of the exposition has been left for Vol. 2; this one is an anthology of increasingly violent sequences, some sickening, some rather thrilling, that culminates in a Tokyo nightclub blood bath during which Ms. Liu, playing a petite yakuza boss, shows off her Japanese, and also (quite literally) her brains (Scott).

Most of the exposition has been left for Volume 2; this one is an anthology of increasingly violent sequences, some sickening, some rather thrilling, that culminates in a Tokyo nightclub blood bath during which Ms. Liu, playing a petite yakuza boss, shows off her Japaense, and also (quite literally) her brains (Scott).

In fact, the most violent sequence in Cable Hogue is the very first, in which Robards, while attempting to make lunch out of a gila monster, has it shot out of his hands.

He gives flesh to the notion that the victim eventually becomes the aggressor; that life taints and ruins, rather than redeems.The dirt of the title represents the final, violent sequence between Galen and his mother.

Take the most violent sequence "Bus.cif" as an example; the proposed MABCA has a speedup ratio about 4.4 (=214.5176/48.2545) over the FS method.

What follows is quite possibly the most sustained, radical, and excruciatingly violent sequence in the show's history.

One of the pieces turned down by Antonioni, called "The Violent Sequence", later became "Us and Them", included on 1973's The Dark Side of the Moon.