Sentence examples for violent distortion from inspiring English sources

How did the early-modern period escape the violent distortion of the pamphlets?

To assume his disguise as the Bishop, who the police believe to be the Blackbird's disabled brother, Chaney seems to pitch his body into a violent distortion, dislocating a shoulder and twisting his legs together into a knot — a clearly painful process that Browning displays twice in agonizing single takes.

It's also filled with doubt about the actual impact of such groups, the vague intentions and confused methods that follow on those commitments, the violent distortions that those commitments can yield, and the fear of the destructive energies unleashed by the stretching and breaking of group ties.

I'm a fan of ceramics, which should not require distortions as violent as Woodman's or Price's to merit serious consideration.

He pointed out that he'd said there would be other subjects to cover, too, including, "The possible connection between football and this particular tragedy"—meaning not only the habits of a violent game and the distortions of money and fame, but the effects of concussions.

He pointed out that he'd said there would be other subjects to cover, too, including, "The possible connection between football and this particular tragedy" — meaning not only the habits of a violent game and the distortions of money and fame, but the effects of concussions.

Agreeing with another initial hypothesis, we found an association between anger distortion and reports of violent behaviours and disregard for others (Agress).

Both portray stabbings -- the murder of Bruce Pecheur, an actor, and Norman Mailer's attack on his second wife -- using fragmentation, distortion and jarring color to convey violent passions.

It has been a great source of discomfort for Muslims, who see in it deliberate distortions that give the Qur'an violent and sexist overtones.

The time interval between the last violent conflict and data collection may have caused some memory distortion regarding the questions of traumatic experiences among non-IDPs.

Savoured and cherished before the Oklahoman quintet pound us with the sonic distortion of new tracks "Butterfly, How Long It Takes to Die" and the menacing "Turning Violent", on which Coyne repeatedly drones "Turn on and on".