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The phrase "violent creation" is correct and usable in written English.
It can be used in contexts discussing art, literature, or events that involve intense or aggressive processes of creation or emergence. Example: "The artist's latest work is a reflection of the violent creation of the universe, capturing both chaos and beauty."
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Schnabel's new film, Miral (trailer here), presents the lives of four Palestinian women living in East Jerusalem after the violent creation of Israel in 1948, with most of the film focusing on a sixteen-year-old girl named Miral Freida Pintoofof Slumdog Millionaire).
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Manson described the album as "the most violent yet beautiful creation we have accomplished.
Infected by – yet partly resistant to – a zombiefying plague that has ravaged the world (the violent manner of their creation bizarrely recalls cult 1970s British horror To the Devil a Daughter), these strangely dangerous kids are now being held as the key to a possible cure.
It criminalises swaths of society, fills prisons with non-violent offenders, facilitates the creation and enrichment of violent gangs, forces those who use drugs to use adulterated, dangerous products, brings the law into disrepute, and costs vast amounts of money that could be put to better uses.
The trope of the solitary man whose derangements alienate those around him – either through acts of violent destruction, performance, or creation – is fertile ground for Theroux.
Marduk collages harrowing news reports of female political activists abducted, tortured or "disappeared" in places such as Paraguay, Turkey, and China, and juxtaposes them with an equally violent script: a Sumerian creation myth in which the god Marduk murders and disembowels the goddess Tiamat, splitting her "like a flat fish into two halves" to make "a covering for the heavens".
Present findings have implications for reducing the barriers to reporting violent experiences and the creation of best practice guidelines to reduce patient violence in the workplace.
In War and Peace (also a historical novel), Tolstoy succeeds in rendering the entirety of a world – often violent, often venal – wherein his creations are superbly varied.
At first sight Miss Elisabeth Scott's creation seems in violent disharmony with the Stratford picture.
That will only come from winning the values battle that confronts pluralist democracy facing violent fantasists obsessed with the creation of "ideal" societies that reflect their views.
But what really inflamed national sensibilities was that Angkor Wat, the country's national symbol and its major tourist attraction, was being used to frame a full-length re-creation of a violent video game.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com