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Making the viewer wonder, What kind of nudity is this? is very much part of Beecroft's point.
There is something about every competitive reality show on television that makes the viewer wonder how they would tackle the same experience.
As the day turns to night, Celine and Jesse's bantering and bickering blossoms into a full-blown fight, a crisis that makes them (and the viewer) wonder if they can recover, and maybe also whether they should.
At one point, a police helicopter hovers overhead in the search for a missing person; it makes a viewer wonder if NBC paid for the fuel and the overtime in this re-creation.
They won't discover that the source of the violence raining from the skies is nothing more than irate mutant bats unleashed in a thudding prologue, and rendered with CGI crude enough to make a viewer wonder about budgetary constraints.
The film effectively creates a sense of dread as a female body is glimpsed amid the tangled branches of lantana bushes at the beginning of the film, making the viewer wonder for the movie's first half whose body it is.
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The viewer wonders about the facts.
The viewer wonders: Is she dead or merely asleep?
It might have been just as easy to leave the viewer wondering whether they survive.
What, a viewer wondered, was this sorry spectacle supposed to prove?
("Why do people keep going there?" one viewer wondered aloud during a recent screening).
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com