Sentence examples for viewer relationships from inspiring English sources

"We're always looking at ways to leverage our viewer relationships for marketers, in an appropriate manner," said Mark Harrad, a spokesman in New York for the Turner Broadcasting System division of AOL Time Warner, the parent of TNT.

Proficient in traditional sculpture, molding, and blacksmithing, Mesplé creates "technology-mediated art" that is meant to "explore and heighten viewer relationships" and bring "viewers to a state of inquisitiveness, sometimes outside the realm of their previous experiences" by blending science, technology, and innovation.

"Building and fostering that viewer relationship is our daily focus".

3. Compare and contrast excerpts of four types of news programs, focusing on news content, show format and journalist-viewer relationships.

Ambiguous in his humor, Mr. Ruckert is a serious artist synthesizing ideas from various cultural streams to explore dancer-viewer relationships.

Overview of Lesson Plan: In this lesson, students closely examine several different forms of broadcast journalism, identifying the roles played by different participants in the news-relaying process and comparing and contrasting show content, format, and journalist-viewer relationships.

Although direct-to-viewer relationships are the norm on the web, most premium TV content in the living room still passes through a cable television gatekeeper.

But his vigilance his investment in his viewers' relationship with his material can sometimes feel like micromanagement.

Mr. Walther's "Work Set" fits perfectly in Dia's collection of largely Minimalist artworks from the '60s and '70s, which consider how objects activate space and viewers' relationship to it.

JOURNALIST-VIEWER RELATIONSHIP -Who do you think the target audience of this program is, and why? -What do the journalists (anchors and reporters) do to set the tone of the program and the individual news stories?

The film stays reasonably true to Conrad's plot, while playing with the conventions of the cold war spy thriller and a certain strand of European social-realist theatre wherein the actors constantly draw attention to the fact that they are acting in order to disrupt the conventions of the audience-viewer relationship – think Brecht meets early Antonioni.