Sentence examples for view wind from inspiring English sources

Given the perception - stoked by some quarters of the media and certain politicians - that there is widespread public hostility to wind power, it is interesting to see that the report's findings strongly contradict this view: Wind energy is viewed favourably by a majority of the British public, in line with a desire to move to a renewable energy system.

However, from the load distribution point of view, wind energy resources do not match well with the electricity load demand.

The findings suggest that from both the economic and technical point of views wind power is a healthy, sustainable and efficient means to provide clean power for the energy market in China.

The shorts — which included Stan Brakhage's "The Wonder Ring" (1955), and Frank Kuenstler's "El Atlantis" (1973) — were wonderfully immediate reminders of the beauty the subway can afford, especially as it travels above ground: the street views, winding lines of track, ruin-worthy station structures, and plays of reflection and shadow.

The shorts which included Stan Brakhage's "The Wonder Ring" (1955), and Frank Kuenstler's "El Atlantis" (1973)—were wonderfully immediate reminders of the beauty the subway can afford, especially as it travels above ground: the street views, winding lines of track, ruin-worthy station structures, and plays of reflection and shadow.

The pseudo-surname "Ramone" seems to have encouraged a family-type dysfunction; Johnny stole Joey's girlfriend, an act that sowed the seed of much pain, and Johnny's martinet insistence on hard work and touring, together with his robustly conservative political views, wound everyone up no end.

It's no secret that the Portuguese economy is currently rather strained, but the endless visual delights of this Old European capital --its rooftop viewindingding streets, brightly colored tiles covering entire building facades --all that and more, explain why the city is so crowded with tourists.

Under his view the wind.

By Howard Nemerov The New Yorker, October 29, 1966 P. 64 Under his view the wind View Article By Andy Borowitz By Phil Klay By Troy Patterson By Larissa MacFarquhar.

Besides, from the meteorological point of view, maximum wind velocities directly relate to storms and thunderstorms.

Timothy Spall plays seascape painter JMW Turner, who spits on his canvases, doctors the work of his rivals and tethers himself to a mast, like a dilapidated Ulysses, so as to view the wind and waves up close.