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This is because of art's exceptionalism — we view artistic endeavors as different from other works.
The episode throws into sharp relief the deep divide over how many Chinese and Westerners view artistic expression.
This often results in the flawed tendency, present throughout the history of art criticism, to view artistic development as operating in two distinctly different and opposing currents e.g., Poussin versus Rubens and Ingres versus Delacroix.
But for Cameron the scathing review became a tool to reinforce a particular world view: artistic people must learn how to emotionally guard themselves against the tides of negativity both external and internal.
One critic from the Washington Post panned it, accusing Cameron of having ripped off most of her dialogue from "Casablanca". But for Cameron the scathing review became a tool to reinforce a particular world view: artistic people must learn how to emotionally guard themselves against the tides of negativity both external and internal.
Trained to view artistic creation in terms of this duality where it exists as either a waste of time or an aloof act of brilliance it's easy for an artist to shy from the task of creating simply because its outcome might prove unworthy of the stability they've sacrificed in its name.
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The industry views artistic roles in game development to fall under positions like game designer, visual artist, and user experience/interface design.
In enacting the law on films and stage plays in Kenya, the colonial state viewed artistic expression as inherently subversive and disruptive of the status quo … When art is truthful and fulfilling its social function, it shows the world as changeable and helps in changing it," Kimani Njogu, a respected linguist and writer, wrote in the Nation newspaper last week.
7) offers a defence of the importance of natural beauty, and criticizes Kemal's (1986) view that artistic beauty is the paradigm object of aesthetic experience for Kant.
He rejected the prevailing highly aestheticized view of artistic photography, of which Alfred Stieglitz was the most visible proponent, and constructed instead an artistic strategy based on the poetic resonance of common but exemplary facts, clearly described.
Taking the long view of artistic innovation over decades and even centuries, it remains forward-looking in its description of the development of new artistic traditions of practice, the growth of participatory audiences, and the realization of still-emerging technologies as consumer products.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com