Sentence examples for vicious fire from inspiring English sources

Do you think that it is accidental that the name of the really vicious fire breathing four eyed whatever it is villain in this movie is named Bane?" — Rush Limbaugh.

"Do you think that it is accidental that the name of the really vicious fire breathing four-eyed whatever it is villain in this movie is named Bane," Mr. Limbaugh said, according to a transcript of the show.

Zamperini (played by Starred Up's Jack O'Connell) drops his bombs, then has to grapple with a stuck bomb-bay door as his plane takes vicious fire from enemy fighters.

In her thrillers, "The Fourth Angel" (2001), and "Flashover" (2002), published by G. P. Putnam's Sons, Ms. Chazin puts firefighter gear on her readers and takes them into the stinging black smoke, the blast of escalating heat and the metallic taste of a vicious fire.

Two of his companies advanced on the double and opened vicious fire on the American right, and Fraser's force threatened to turn the American left flank.

Do you think that it is accidental that the name of the really vicious fire-breathing four eyed whatever it is villain in this movie is named Bane?

Beyoncé needs no distractions from her singing, which can be airy or brassy, tearful or vicious, rapid-fire with staccato syllables or sustained in curlicued melismas.

The vicious, rapid-fire banter between sad-sack Colin (played by Mr. Perry) and flighty J. R. (Carlen Altman, his co-writer), by turns awkwardly funny and awkwardly unfunny, have more in common with the darkest screwball comedy than the passive-aggressive squirming of mumblecore.

Jon Pareles of The New York Times praised the performance, stating: "Beyoncé needs no distractions from her singing, which can be airy or brassy, tearful or vicious, rapid-fire with staccato syllables or sustained in curlicued melismas.

Jon Pareles of The New York Times complimented the performance, stating: "Beyoncé needs no distractions from her singing, which can be airy or brassy, tearful or vicious, rapid-fire with staccato syllables or sustained in curlicued melismas.

Jon Pareles of The New York Times praised the performance, writing that Knowles "needs no distractions from her singing, which can be airy or brassy, tearful or vicious, rapid-fire with staccato syllables or sustained in curlicued melismas.