Sentence examples for vibrant surface from inspiring English sources

She made "toylike" -- as she referred to them -- constructed pieces of wooden elements cut into hard-edge shapes, letting their natural graining provide vibrant surface interest.

An outstanding feature of many is the vibrant surface texture, with allover patterns of linear raised relief and decorative beading as well as precisely placed puncture marks.

Like this film, so colorful it looks as set-designed as a movie, his eye-catching pictures entice viewers to look more closely at the dismal reality beneath the vibrant surface.

The most useful knowledge we have about the great 17th-century Dutch painter Frans Hals is what we glean from the vibrant, shimmering surfaces of his art.

But the younger Mr. Savall's interventions ended up feeling more staid and less relevant than his father's vibrant, unfinished surfaces.

Mushroom users commonly report experiencing enhanced visual perception, with colors appearing more vibrant and surfaces appearing to melt or breathe.

We find ourselves looking at his trees, his railroads and mountains as if they were text; their secrets are hiding just beneath that vibrant, vivid, surprising surface we are reading, though reading it, of course, is not so easy after all.

They work on basic, four-stake outdoor looms to create cloths distinctive for their throbbing patterns, vibrant colors, glinting surfaces and rugged textures.

Over the years, she's become a beloved staple at the festival; countless videos and photos documenting her vibrant spirit have surfaced online, including a mini-documentary produced by her friend.

In this woodturner's temporary paradise, each object stands in stark contrast to the others: Gary Stevens's seashell-shaped "Redwood Lace" made of burl with voids and flame-like shadings; Robyn Horn's "Pierced Monostone," a sculpture with just a tease of turning; Dewey Garrett's "Maroon Palm No. 2," a vibrant red hair-like surface some say is reminiscent of an African ceremonial vessel.

He often used vibrant colours and textured surfaces to depict his subjects in symbolic, stylized, or semiabstract modes.