Sentence examples for vibrant rendering from inspiring English sources

And you certainly can't discount the combination of Stritch and Sondheim, with a blistering "Ladies Who Lunch" and the most vibrant rendering ever of "I'm Still Here".

Ms. Murray's is essentially an invitation to step inside "Plan 9," her vibrant abstract rendering of a table setting in which the utensils seem to bend and melt like Salvador Dalí's timepieces.

Wilson-Max's vibrant paintings, rendered in bright primary colors, work well with the book's large format; there's a captivating freshness in the broadly drawn figures -- father, son and mother.

If you're not proficient in that language, your experience of what seems to be a vibrant and muscular rendering by this company and its artistic director, René Buch, will be filtered through a live English translation (courtesy of headphones).

Urbanization, westward expansion and the United States' emergence as a world power are depicted in a section titled "American Progress," in which a vibrant large-folio rendering of the Statue of Liberty shares space with scenes like "The Prairie Hunter -- One Rubbed Out," a view of a lone settler, rifle in hand, galloping away from an Indian encampment.

Certainly, the game is vibrant and exquisitely rendered; its vistas vary from humming desert lands to rolling green hills, flecked with purple flowers and wind-beaten crags.

In common with everyone else, I suppose, I harbour the odd childhood and potent memory involving a crenellated bucket, bendy spade and hopeless shingle, my chalk-white and cloistered skin rapidly rendered vibrant and pin-point painful as a result of no hat or sunblock or parasol (which were only for film stars or nancy-boys) with the yolky sun just hanging there, broiling me.

It's a super sleek device, with a stunning front face design and a remarkably bright and vibrant display that renders colors in a trulls stunning way.

The scheme is to be rendered in "vibrant and uplifting" colours (think of a packet of Refreshers).

Pieces from long-standing collections often have the most appeal, since in many cases they have been off the market for decades; one such cache includes both an early Modigliani, of a dark-eyed beauty in riding gear ("L'Amazone"), and a sensual still-life by Cézanne ("Les Pommes"), rendered in vibrant yellows, greens, and grays.

While wandering the jungles and rivers and village markets and mountains and cities, which he renders in vibrant and elegant prose, McCarthy delves into the things that have both made him the man he is and kept him from becoming the man he wants to be.