Nevertheless, Broadway.com said, the producers are discussing a German-language version, to open in Germany next year, as well as tours of New Zealand, Australia and Asia.
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That's a lot, and all of it fits comfortably into "Oylam," her first album for ECM: standards and Schubert and liturgical music, swing and chilly silences, a beautiful Satie-like piece in two different versions, to open and close the record.
"I'm pretty surprised it ever got made," Blake Bailey, Yates's biographer, said recently about the movie version, scheduled to open Dec. 26.
Here's JS Bach's Toccata and Fugue, in the truncated version used to open and close the French children's TV series Once Upon A Time: Man.
The version set to open on the night of the explosion was actually one of two separate full productions in repertory: one set in 1901, the other set in 1988, during the waning days of glasnost.
As if that weren't bad enough, a new large-scale version, due to open in Rome in June, has now been put off to next year, thanks to the eccentricities of Italian politics.
Instead of closing down the opportunities for something happening on stage, this version seemed to open them almost infinitely, allowing live music and a whole visual world to evolve before our eyes.
As with the London run, and with the New York version scheduled to open in April 2018, the Australian production will be directed by Mr. Tiffany, with a score by the English singer/songwriter Imogen Heap.
The superb Steppenwolf production, featuring the fiery, fearless acting the company has long been known for, is being imported intact for the Broadway version, scheduled to open Nov. 20 at the Imperial Theater.
He is working at an accelerated pace with the composer Galt MacDermott and the lyricist Matty Selman to prepare a new version, scheduled to open on May 10 at the American Repertory Theater, which is affiliated with Harvard, and is later expected to move to the Prince Music Theater in Philadelphia.
