Exact(1)
The image of the world standing still is due to Sheldon Stern, former historian at the John F Kennedy Presidential Library, who published the authoritative version of the tapes of the ExComm meetings where Kennedy, and a close circle of advisers, debated how to respond to the crisis.
Similar(58)
In an enhanced version of the tape, a voice — thought to be Mr. Parks's — is heard just before the scream, saying, "Listen, Mister, I'm still here".
The networks all said they would probably never broadcast the full version of the tape because the images included American soldiers with grisly wounds, with some shot through the forehead.
Later, when the edited version of the taping is produced (all episodes are edited for entertainment purposes), it includes only the onion woman and the second-best reading of the show.
A previously released version of the tape showed footage of Rice dragging Palmer's unconscious body out of the elevator, but did not actually show the punch that knocked Palmer out.
While the government is expected to appeal the decision later on Friday, Kessler ordered that the public versions of the tapes to be released obscure "all faces other than Mr Dhiab's, voices, names, etc".
The Live Action Web site shows two versions of the tape, a highly condensed version and a longer one.
Some of Morita and Ibuka's product successes include early consumer versions of the tape recorder (1950; Ibuka had developed magnetic recording tape a year earlier), the transistorized radio (1955), and the "pocket-sized" transistor radio (1957).
He also said there were three other "versions" of the tape that are "even worse" than what was released: .
The version of "The Basement Tapes" that was released in 1975, which Robbie Robertson and the audio engineer Rob Fraboni helped assemble, made a coherent whole from a collection of demos and rehearsals — Dylan throwing out songs and The Band catching what they could — with overdubs and processing.
The version of "The Basement Tapes" that was released in 1975, which Robbie Robertson and the audio engineer Rob Fraboni helped assemble, made a coherent whole from a collection of demos and rehearsals Dylan throwing out songs and The Band catching what they could with overdubs and processing.
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