Sentence examples for variation in the pitch from inspiring English sources

Intonation is primarily a matter of variation in the pitch level of the voice (see also tone), but in such languages as English, stress and rhythm are also involved.

Intonation, which is found in all languages, is the variation in the pitch contour or pitch pattern of whole utterances, of the kind that distinguishes (either of itself or in combination with some other difference) statements from questions or indicates the mood or attitude of the speaker (as hesitant, surprised, angry, and so forth).

In the case of highways, vehicle dynamics are bounded by the maximum speed, the maximum turning angle (i.e., yaw angle, β) and the maximum variation in the pitch angle, α, for a given frame rate.

By changing the speed of the tape, wide variations in the pitch and tempo of the recorded material can be effected; by playing the tape backward, a sound's evolution can be reversed.

Thus, these methods have the disadvantage in terms of processing speed, and their performances can be affected by local variations in the pitch data.

From an acoustic point of view, the perceived variations in the pitch, timbre, and loudness of the voice that characterise the vibrato are due to variations in the amplitude and frequency of its harmonics.

The effects of variations in the pitch intensity from 180° to 540° and volume fraction of nanoparticles from 0 to 0.05 on the nanofluid flow, heat convection and thermodynamic irreversibilities are investigated.

Two aspects of the perception of extrapersonal space undergo systematic changes with variations in the pitch of the visual environment: (1) the physical elevation perceived to correspond to eye level (VPEL); and (2) the perception of the pitch of the visual environment (PVP).

Just as slight variations in the pitch and volume of one's voice convey information in a spoken language, fluent speakers of ASL can pick up small differences in a sign's duration, range of motion, and body language.

A comparison of the results from the three rectangular cross section coils, the fixed pitch, the Leifer variable-pitch, and the optimized variable-pitch showed that significant improvements could be made to the B1 homogeneity and sensitivity by variations in the pitch of the coil, gains that were partly masked by a drop in the loaded Q-factors from 87 to 84 and 76, respectively.

Hence, it is clear that the formation of an onionskin macrostructure is related to variation in the tool pitch along the weld joint.