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He presents theories on the moral value of taste, then ties them up with a bow: "We are what we eat?
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Dopamine is the primary neurotransmitter involved in the brain reward pathways [ 127] and in the reward value of sweet taste, mainly because sweet taste activates mesolimbic DA circuits involved in the mediation of natural as well as drug rewards.
CDs are also used to stabilize sensitive substances to light or oxygen [44], proteins [45], nanoparticles [46], and add value addition of taste and colour of toothpaste [44].
The Coto de Imaz also was chosen as the best value of the tasting even though Ms. Hesser found its wood flavors to be "disruptive".
The age-related decline in the analgesic efficacy of sucrose mirrors the age-related decline in the hedonic value of sweet tastes [44].
Finally, the effect of THC seen in this experiment suggests that this drug may preferentially enhance the incentive value of sweet tasting reinforcers (Ward and Dykstra, 2005).
Other details of Hume's aesthetics emerge in contexts where he expounds his theory of imaginative association (EHUa, 102 7), elaborates on the value of delicacy of taste (DOT), and denies that his appeal to sentiment leads to skepticism about value distinctions (S, 217 19).
That is to say, aesthetic values now stand in irreconcilable antagonism to religious values, transforming "value judgments (Werturteile) into judgments of taste (Geschmacksurteile) by which what is morally reprehensible becomes merely what is tasteless" [Weber 1915/1946, 342].
His undisguised political partisanship, his arrogant assumption that English bourgeois standards of culture and progress were to be forever the norm for less favoured nations, and the materialism of his judgments of value and taste all came under heavy fire from such near-contemporary critics as Thomas Carlyle, Matthew Arnold, and John Ruskin.
The thirst for productions with shock value can override judgments of taste and even one's ability to be shocked.
These trends include evolving notions of taste, value and authority; the public's desire to understand the inner workings of once rarefied worlds; and the growing demand of audiences that their thoughts and feelings be put nearer the center of cultural experiences.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com