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In order to use the mode – the value that occurs most frequently – we would have to group together readings that are close together, otherwise there are unlikely to be any values that crop up more than once in the data.
In this study, we use the mode 6, called explicit MB, to slice group mapping, where each macroblock is associated to a slice group index in the range.
Based on this observation, we propose to use the mode complexity parameter (C) defined in Equation 3 to speed up the procedure of depth map coding DE search range computational complexity.
Other methods such as the Mode Shape Based Estimation (MSBE) and Timoshenko Beam Based Estimation (TBBE) methods, on the other hand, use the mode shapes of bending, shear and Timoshenko beam modeling to estimate the unknown structural response.
It's notable that this development only took place in the context of the emergence of a truly global capitalism and what the philosopher Max Horkheimer would later call "instrumental reason"—scientific reason that doesn't just explain reality, but which is put to use (the mode of reason that alienates people from a world reconfigured as one vast factory).
It's notable that this development only took place in the context of the emergence of a truly global capitalism and what the philosopher Max Horkheimer would later call "instrumental reason" – scientific reason that doesn't just explain reality, but which is put to use; the mode of reason that alienates people from a world reconfigured as one vast factory.
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Throughout, we use the mode-finder efficient robust outlier finder to determine coefficients C. Then a set of non-matte excursion colour values H is defined for our input set of colour images, via H = R − Rmatte where R is the (N×3×n) set of input images.
In Section 4 we introduce the notion of our contribution 1 - using a robust mode-finder instead of a full multivariate robust regression and explicate how we use the mode-finder and trimmed LS to realize outlier detection and recover surface properties.
Use the modes that your camera came with.
She uses the mode like the knife that opens the oyster," writes Kelly.
Using the mode switch on the right handlebar, a rider can select one of four settings.
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