Sentence examples for use of the synthesizer from inspiring English sources

And you've probably heard of the use of the synthesizer by craftwork.

The march was no longer king, having been supplanted by more-modern forms, including rock music, while the number of live musicians diminished as many circuses made wide use of the synthesizer and other electronic instruments.

Babbitt also provided a detailed summary of the use of the synthesizer from a composer's perspective, in his article "An Introduction to the R.C.A. Synthesizer", in Journal of Music Theory, 8, no. 2 (Winter, 1964): 251-265 (full text available in CLIO, see this link and navigate to vol.8 no.2).

The album makes prominent use of the synthesizer, particularly on the tracks "Baba O'Riley" and "Won't Get Fooled Again".

In an interview with writer Michael Eric Dyson, Harris said: Another significant feature of the recording sessions for I Want You was Gaye's use of the synthesizer in his music.

The Who's major contributions to rock music include the development of the Marshall stack, large PA systems, use of the synthesizer, Entwistle and Moon's lead playing styles, and the development of the rock opera.

The album has been considered revolutionary in its use of synthesizers, while others described Wilson's extensive use of the Moog synthesizer as a "loopy funhouse ambience" and an early example of synthpop.

And I think you can argue that it's the interaction between the synthesizers and the uses of the synthesizers.

Listen here to one of Krause's soundscape recordings, featuring an orangutan, among many other species: [audio url="https://api.soundcloud.com/tracks/222074847"] Krause, who once played guitar for the Weavers, Pete Seeger's popular folk band, had a long career as a studio musician, pioneering the use of the Moog synthesizer in film and pop music.

Listen here to one of Krause's soundscape recordings, featuring an orangutan, among many other species: Krause, who once played guitar for the Weavers, Pete Seeger's popular folk band, had a long career as a studio musician, pioneering the use of the Moog synthesizer in film and pop music.

The album makes prominent use of the Moog synthesizer, and the guitar played through a Leslie speaker.