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The American Classical Orchestra prides itself on the use of original instruments and historically accurate performing practices.
Within a year of joining the orchestra he formed a group of like-minded players, among them the violinist Alice Hoffelner, who led the ensemble and whom he married in 1953, to explore the use of original instruments and historically informed techniques in baroque music.
A serious problem apparent in several studies is the use of original instruments that have not been tested for validity or reliability.
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In the 1980s, Mr. Fuller became interested in performances of 19th-century repertory using original instruments — fortepianos, as well as violins, violas and cellos using gut strings — and he regularly coached younger players in the art of historical performance.
An advocate of the idea of playing music on period instruments -- which has done much to redefine contemporary understanding of what Baroque music sounded like -- at the start of his conducting career he took it one step further, by using original instruments in the music of later classical composers: Beethoven, Berlioz, Mendelssohn.
The majority of studies considered in the review examined the psychometric properties of the original instruments, used as per standard instructions.
When Partch's "Delusion of the Fury," arguably the finest and most representative of his later works, was last performed in New York (at the Japan Society, in 2007), the production made use of the composer's original instruments, which were then housed at Montclair State University, in New Jersey.
As one of the original instruments was used in structured interviews, some adjustments were needed and were made in consultation with the developers of the instrument.
During the cross-cultural adaptation, the group of specialists stated that the concept of the impact of childhood cancer on the quality of life of the families used for development of the original instrument was pertinent to Brazilian culture.
Some of the original instruments and sculptures made by Fr.
By 2002, all of the original instruments requiring COSTAR had been replaced by instruments with their own corrective optics.
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