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Of course, James Joyce famously met with Sergei Eisenstein in the hope of inducing the filmmaker to adapt "Ulysses" for the cinema; Eisenstein, for his part (and I'm flying blind at the moment, with books not at hand) considered that the contrapuntal use of image and sound could reproduce in movies the writer's interior monologues.
An important factor that expedited and boosted the use of image and video processing techniques in cultural heritage applications was the initiation of extensive digitization campaigns by public institutions, museums, libraries, and archives during the last years.
Few people have all the skills necessary to create works that require web-design, coding, excellent writing, and use of image and sound.
The following year, a group of Soviet filmmakers, including Sergei Eisenstein, proclaimed that the use of image and sound in juxtaposition, the so-called contrapuntal method, would raise the cinema to "unprecedented power and cultural height.
The framework includes following a narrative thread, tolerating ambiguity, adoption of multiple and contradictory points of view, entering narrative's reality and understanding how reality is making sense, seeing the use of image and metaphor and increasing imagination and listening skills.
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But by reducing the use of images and advertisements and by adding computer capacity, most news sites were able eventually to cope with the demand.
"We will look at the whole question of endorsement and the use of images and numbers," he said, adding that the committee would also examine the sale of video games that use the faces of college athletes.
"But there's also legal issues about fair use of images and what we can and can't do with them".
Some see in his work a narrative on the modern use of images and their ownership, others a searing criticism of mass consumerism, defining his use of the Marlboro Man as a critique of the peddling of death through glamour.
We have this thinking capacity that goes beyond reassembling memory fragments, and that results in the use of images and the juxtaposition of ideas in a much more creative and figurative sense".
Although none of Farel's sermons are extant, several of his French books remain, including an elementary dogmatics, a liturgy, a polemic against the Libertine party, and an anti-Catholic attack on the use of images and relics.
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