Sentence examples for use of brass from inspiring English sources
There were certain limitations on the use of brass, and also ivory.
In España, for example, his use of brass and percussion anticipated effects in Igor Stravinsky's Petrushka (1911).
Finally, the Mechanicals, whom Britten called the Rustics, provide the composer with a delightful opportunity for parody, underlined by the use of brass and bassoon.
Many experts say the critical bond between the steel and rubber, aided by the use of brass and other materials, may be flawed.
Her musical choices are flamboyant, with ostentatious use of brass and Moog synthesizers, among other unusual selections, giving her work a carnivalesque air.
And it is filled with its signature touches, like shiny black fluted Italian glass block, crown molding, ultra-veined marble and a strategic use of brass.
An alternative route might be the OECD, which last year produced a report urging governments to clamp down on the use of brass-plate firms for illicit purposes.In this section A clash over cash Prepare to be shocked Switching off The long goodbye Part predator, part prey Brassed off The price of freedom Fun on the run The great Swiss hope ReprintsAll this is rather ironic.
His immense polyphonic skill, his ability to incorporate archaic forms within his own advanced style, his fondness for sudden contrasts of timbre and dynamics, and his use of magnificent brass effects all testify to his boldness and originality.
Kaija Saariaho's Asteroid 4179 - Toutatis is perhaps the most striking, Matthias Pintscher's rebarbative Towards Osiris the least personal; Mark-Anthony Turnage's Ceres makes intriguing use of a brass refrain that repeatedly cuts across the slowly unwinding chorale-like melody; and Brett Dean's Komarov's Fall compresses the narrative elements of a tone poem into a mere eight minutes.
He credits the recording's use of a brass ensemble with distorted electric guitars as an early example of rock fusion.
Shaw was not among them: in 1885 he wrote of Manon: The 21st-century critic Anne Feeney comments, "Massenet rarely repeated musical phrases, let alone used recurrent themes, so the resemblance [to Wagner] lies solely in the declamatory lyricism and enthusiastic use of the brass and percussion".
