Sentence examples for use of a distortion from inspiring English sources

Several law review articles argued that the use of a "distortion principle" to decide violations of free speech was an unreasonable and unconstitutional rule whose conditions on funding might "distort" speech advocacy; others contended that the Court mishandled the interpretation of the statute at issue.

The control algorithm permits choice of frequency dependent hydrodynamic coefficients by use of a harmonic distortion analyzer in the virtual instrumentation environment.

Beck's second guitar solo, which extends for two 12-bar sections, features an early use of a fuzz-tone distortion effects pedal.

Mascis's use of feedback, distortion and a controlled sense of being out of control caught the attention of others in the alt-music scene.

Also on the bill is Bolton's Janine Rostron, aka Planningtorock, who has previously said her use of vocal distortion is a form of "playing around with gender".

Grunge fused elements of hardcore punk and heavy metal into a single sound, and made heavy use of guitar distortion, fuzz and feedback.

For many photogrammetric applications, use of a simple model for lens distortion in conjunction with co-linearity equations is sufficient.

This could be due to the fact that in spite of concerns regarding late dilatation, the use of a free-standing root avoids distortion and guarantees optimal relationship between the different components of the autograft valve mechanism.

His last works, such as the series of frescoes he painted in Santa Maria Novella (1502), reveal a use of colour and distortion of form that may have influenced the later development of Mannerism in Florence a generation or so later.

I was particularly interested in his 1986 album World of Echo and the way he created space within songs through his use of echo, distortion and phaser when applied directly to his cello.

Lauder has strong pedagogical inclinations — one gets the impression that he would happily stand in his museum all day long, explaining Egon Schiele's use of graphic distortion to bemused Dutch tourists — and for him the portrait of Adele Bloch-Bauer is both a gorgeous object and a historical document of critical importance to the museum's mission.