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The poems, which take the ring-around-the-rosy children's game as a starting point for an exploration of male-female relationships, show Atwood's early aptitude for the unflinching, visceral metaphor.
Not immortal, but unflinching.
He's unflinching".
It is automatic, unflinching".
She is unflinching.
The unflinching gaze.
It feels unflinching.
As for logistical aptitude?
Aptitude they have nil.
The favorite, Aptitude?
No aptitude required.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com