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The phrase "understanding of imagination" is correct and usable in written English.
It can be used when discussing concepts related to creativity, perception, or cognitive processes involving imagination. Example: "Her understanding of imagination allows her to create vivid and engaging stories that captivate her audience."
Exact(1)
"Disgust refers to something revolting, primarily in relation to the sense of taste, as actually perceived or vividly imagined; and secondarily to anything which causes a similar feeling, through the sense of smell, touch and even eyesight" Charles Darwin (1872/1965) The concept of 'simulation' is important for our understanding of imagination and social perception.
Similar(58)
A first way of understanding the imagination view of dreaming is to regard it as a claim about the phenomenology of dreaming.
Moreover, Hobbes thinks that understanding is a sort of imagination.
In fact, reverie celebrates the rediscovery of understanding and imagination, sets free the secret of disinterest which, because it lets you see beauty without your consent and see nature without ego, invests the world with intense interest.
I like to think of my blacker-than-black artworks in the terms of the post-sublime; artworks as mediums that probe the 'edges' of understanding and imagination, in order to define or give shape to things don't understand much like a blind person would explore the edges of a deep hole, learning and feeling its diameter without knowing its depth. .
Our real poverty is that of understanding and imagination.
For the work to become an objective entity with a manifest meaning, the understanding and imagination of the audience needs to reconstruct the meaningful silence in between the traces.
But what is it for the faculties of imagination and understanding to be in "free play"?
He describes it as perceived both in the object itself and in the activity of imagination and understanding in their engagement with the object.
Kant makes various points about pleasure in the beautiful, which fall short of what we might call his "deep" account of the nature of pleasure in beauty, according to which it is the harmonious free play of imagination and understanding.
The argument in all of its appearances relies on the claim, introduced in §9, that pleasure in the beautiful depends on the "free play" or "free harmony" of the faculties of imagination and understanding.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com