Exact(3)
One counterargument is that an understanding listener listens to the rests, just as she listens to the sounds (Kania 2010).
Audioburst isn't there yet – it's only beginning this process of understanding listener behavior.
The 'arousal theory' is, at its simplest, the claim that the expressiveness of a passage of music amounts to its tendency to arouse that emotion in an understanding listener.
Similar(57)
It can also be objected that many understanding listeners are not moved to respond emotionally to music.
The simplest objection is that there is empirical evidence that understanding listeners do not engage in any such imaginative activity.
Aside from this, though, there is the fact that some apparently understanding listeners simply deny that music is expressive of emotion.
A different kind of objection is that if the persona theory were true, expressive music could not constrain our imaginative activity in such a way as to yield convergent judgments of expressiveness among understanding listeners.
Elsewhere her man is an ever-understanding listener in the celebratory "Therapy" and the ballad "He Heals Me".
Will it be possible to help people with a disability which forces them to speak through a device, to express the emotion they want to express?" Salazar is optimistic, but the challenge will be as much about understanding the listener as manipulating aspects of a voice.
But Lucchese believes that the real shift will come by way of understanding the listener, too.
Considering most music is pimped to us through the rhetoric of "universality" or some empathic one-to-one understanding between listener and producer, I was relieved to know there was the possibility for some other kind of reaction, and that it had to do with an awareness of different experiences around the same audio.
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